03
Project Name
Nowhere near 無人發現的附近
Publisher: 一
車站是存在最多際遇的地方
兩個陌生人之間
三個陌生人之間
又或是
闖入熟人之間的陌生人
This project explores how women express private emotions, moments of vulnerability, and personal rituals in a shared world. Through subtle gestures—quiet reflection, tears, laughter, or acts of care—I aim to give visibility to experiences often overlooked or unspoken. Personally, I’m drawn to these moments in my own life—the spaces where I process feelings and ground myself. Many women navigate similar inner worlds, yet these experiences are rarely acknowledged. By capturing them, I hope to honor their depth and quiet strength. The images connect through body orientation or gaze, forming visual dialogues between moments. Some portraits place women in their environments; others focus closely on their presence. I avoid common public depictions—like women solely in caregiving roles—to highlight individuality and emotional range. This work is a study in observation and trust. It reminds me to stay sensitive, avoid repetition, and believe in what the images reveal over time.
這個計畫探索女性如何在一個共享的世界中表達私密情感、脆弱的時刻與個人的儀式。透過細膩的動作——靜靜地沉思、落淚、歡笑，或關懷的舉動——我希望讓那些經常被忽視或難以言說的經驗得以被看見。對我而言，這些瞬間同樣深深吸引著我——那些幫助我整理情緒、重新安頓自我的時刻。許多女性也在相似的內心世界中穿行，然而這些經驗卻鮮少被正視。
透過捕捉這些瞬間，我希望能向它們的深度與安靜的力量致敬。這些影像透過身體的朝向或凝視彼此連結，在片刻之間形成視覺上的對話。有些肖像描繪女性與其所處環境之間的關係，另一些則更專注於她們自身的存在。我刻意避開大眾對女性的常見刻板描繪——例如將她們僅僅視為照料他人的角色——而是強調她們的個體性，以及情感所蘊含的豐富層次。
這組作品是一場關於觀察與信任的練習。它提醒我保持敏感、避免重複，並始終相信影像在時間之中所揭示的一切。
2024.10
纽约