@SIXPENCENDMOON
yutori sedai
- 2026
Selected
02
Project Name
A girl called Marta 瑪爾塔女孩
Publisher: 一
When I reflect on my Childhood, I feel sadness and hope at the same time.
I’m grateful to my little self for surviving and getting me here.
I have a hard time looking at precious little me - how could the people hurt me do that?
“Anemonia” refers to the feeling of nostalgia that arises when encountering certain images or music—a strange familiarity and sense of belonging, even to a time you’ve never actually lived through. This project explores how memory is not a static record of the past but a simulation, shaped by both objective facts and subjective perceptions. New insights can color old memories, just as memories themselves reshape our present. In this overwhelming world of constant images and information, finding a meaningful connection to the world—and to one’s own identity—can feel elusive. With Marta, I revisit scenes and emotions from childhood, recreating them through photographs and pairing them with fragments of text. These are not literal memories, but emotional echoes: a gesture, a light, a color. Each image becomes part of a collage—a second creation. It’s an attempt to archive not what was, but what was felt. I’m a nostalgic person myself. The farther back in time something happened, the more clearly I seem to remember it. But memory is tricky, and the tension between what we recall and what actually occurred fascinates me. In listening to each woman’s coming-of-age story, I hope to uncover shared emotional ground—an empathy that flows through both word and image.
“Anemonia”指的是當人們面對某些影像或音樂時所湧現出的懷舊情緒——那是一種奇異的熟悉感與歸屬感，彷彿與一個自己從未真正經歷過的時代產生了連結。這個計畫探討了記憶並非對過去的靜態記錄，而是一種模擬；它既由客觀事實構成，也受到主觀感知的塑造。新的洞察會重新渲染舊有的記憶，而記憶本身也在不斷重塑我們的當下。
在這個充斥著無限影像與資訊的世界裡，想要與外部世界、與自我身分建立有意義的連結，往往顯得難以企及。與 Marta 一起，我重新回到童年的場景與情緒，透過攝影將它們再現，並與文字碎片並置。這些並非字面意義上的回憶，而是情感的回聲：一個動作、一束光、一抹顏色。每一張影像都成為拼貼的一部分——是對記憶的二次創作。這是一種嘗試，去保存的不是「曾經發生過的」，而是「曾經被感受到的」。
我自己就是一個懷舊的人。事情發生得越久遠，我似乎記得就越清晰。然而記憶總是狡黠而多變，記憶與真實之間的張力一直令我著迷。在傾聽每一位女性的成長故事時，我希望能捕捉到某種情感上的共鳴——一種在語言與影像之間流動的共情。
2024